What is A Thread Count?

Thread count refers to the number of threads, both vertical and horizontal, in a one-inch square of fabric. Thread count is affected by a number of factors, including ply and thickness of the threads used. The ply of the fabric refers to how many threads are wrapped together into a single thread. Single-ply fabrics use threads on their own, while two-ply fabrics twist two pieces together into a stronger thread, as well as doubling the thread count of the fabric.

Using finer threads also allows for more thread to fit in a square inch. Finer thread often results in smoother, softer fabrics, part of the reason high thread count fabrics are considered more desirable than fabrics with a low thread count. Finer thread also results in a more fragile fabric, however, which may not always be ideal. Two-ply fabrics help solve this problem somewhat by strengthening the threads and creating a more durable, though heavier, fabric.

While it has become common to shop for such things as bed linens, shirts based exclusively on thread count, it is important to take other considerations into account. How the cotton is treated can be a much more decisive factor in comfort and overall feel than the thread count of a fabric, as can the final finishing of the fabric.


The general wisdom is that a thread count of higher than 100 is desirable --these fabrics are known as percale -- with somewhere above 180 being ideal. While fabrics are available with thread counts up to 1000, anything in excess of 400 is considered by most to be simply extraneous. In the case of some fabrics, a high thread count is simply not a viable option. Flannel, for example, as a result of its other properties as a material, has consistently low thread counts, but this is in part what gives it its sought-after feel.

The most common products for which thread count is an issue are sheets, and more and more linen manufacturers sell their products largely on the basis of having a high thread count, as well as the inclusion of high-status materials such as Egyptian cotton. Other products are jumping into the thread count craze, however, with everything from dresses to men's shirts listing thread count on their packaging. A number of high-end clothing companies have begun offering men's shirts with thread counts as high as 170 or 180, boasting an almost silk-like feel.


E-tailor at www.mycustomtailor.com

Denim Fashion Trends Of The Season

Many spring-summer 2010 fashion shows were carried out under the motto "militarism and craziness" and customized denim fashion revealed these tendencies as well. The most stylish jeans of the season spring-summer 2010 are skinny, torn, of dirty khaki, gray, blue or black colors. They are best of all combined with long sweaters or tops in military style. Other trends are the 1990s and a sexy look.

Dyed jeans are still in, this spring they come in skinny, straight, torn, short and long variants. Another reminder of the 1990s' fashion are custom jeans in grunge style which look as if they have been worn for several seasons. Boyfriend jeans are still popular too. For example, such jeans can be found in the latest collections of Ralph Lauren, Jean Paul Gaultier, Getwear or Versace. The latter fashion house presented its variation of boyfriend jeans wide on the thighs and tight on the ankles. Unique brand presented their vision of boyfriend style grunge jeans fitting women's figure, however they are also very relaxed and extremely worn.


Extraordinarily embellished subculture jeans will also be fashionable in the coming season.

Classical jeans are timeless and in the new season they are certainly worn as well.

Elegant skinny black jeans are a hit of the coming season, as well as cuts, jeggings and gray jeans. Another novelty of spring-summer 2010 is the use of denim patch pockets.

Denim shorts are of immediate interest during hot summer days. They are comfortable and practical. Spring-summer 2010 season presents ultrashort denim shorts of black and red colors. Torn shorts and shorts with cuts are also in. The best shoes to combine them with are ballerinas and shoes with high heels. The best accessories are massive colliers and bracelets, belt-bracelets and massive sunglasses as well as aviator sunglasses.

Jeans with corsage popular during the season autumn-winter 2009/2010 stay for spring and summer, too. Made to measure jeans with corsage are embellished with buttons and lacing and look exquisite especially in dark colors. Such jeans make your waist look slimmer and your legs visually longer, their importance can not be overstated. The best way is to combine jeans with corsage with a white blouse, short bolero or a jeans jacket. All the more so, double denim stays popular during the coming season, too.

E-tailor at www.mycustomtailor.com

The Emerging Craze of Custom Cloths

As the world becomes more and more complex, the sane seek more sanity in simplification. It seems pure shopping pleasure just isn’t there anymore. Is it just because we have no time? Are the choices just too overwhelming? Or do we just detest fitting rooms? While many of us can answer “yes” to at least one of these, the question remains, what do we do about it? We have to wear clothes in most societies and most people have a desire to be attractive in public, polished and well groomed in the office, and comfortable enough not to be thinking about their appearance all day. Let’s face it, spending Saturday at the mall begins to lose it’s appeal sometime after our 25th birthday.

Little has the power to make a person feel more uncomfortable than an ill fitting ensemble. No matter how fabulous it looks on the hanger, if it drapes poorly on your body, it is a mistake. But don’t despair! Just because a particular cut fails to flatter your body, it certainly doesn’t mean you have to abandon the idea all together. A custom clothing professional can re-create something more suitable to your frame in keeping with the style you desire.

Here are a few points to take under consideration as you revamp your wardrobe for the coming season

1. When you buy career wear, evening wear, or even a good jean “off the rack”, the chances of a perfect fit are rare. If it flatters your body, you feel good in it and it requires simple alterations, it is money well spent to spring for the little added expense of having a trained professional alter the garment to fit your body.

2. Time is money! How many times have you spent an entire day shopping only to come home empty handed or with disappointments? A better use of your time and hard-earned income is to find a professional in your area to make a custom creation for you. It may seem an impressive expense. Certainly, custom clothing is an investment, but done in the finest fabric you can afford and created especially to fit your body, it is a contribution worth making.


3. Whether engaging a custom clothier or a seamstress to create a garment for you; don’t hesitate to ask for reference or to see some examples of their work. A qualified professional should welcome the request.

4. When investing in custom clothing, be sure to insist on generous seam allowances. None of us like to imagine the possibility of finding the need to accommodate a few extra pounds, but the expense of a slight alteration will be considerably more welcome than the price of remaking the garment.

If you still aren’t convinced custom clothing are for you due to the rapidly changing world of fashion trends, consider basing your wardrobe on well fitting essentials. The simple little black dress, made to perfectly flatter your frame, will rescue you from many last minute emergencies for years to come. A basic, impeccably tailored pencil skirt or pant in your choice of neutral color will serve as a companion to the trendy new tops you find off the rack. A good, classic overcoat will be your best friend for years to come. You don’t have to be wealthy to invest in good custom pieces. Think of them as a business investment since, let’s face it, image counts for a lot. With well fitting garments, you can look great regardless of your shape or size.

The wrong accessories will spoil your perfectly groomed image. Be sure to choose good quality shoes and handbags which reflect your personal good taste and style. A tattered handbag will spoil any outfit, no matter how beautiful your ensemble, it is the first thing people will notice. After seeing an inappropriate bag, their eyes will drop instinctively to your shoes and your custom clothing expense will be an unnoticed effort.

Consider investing in one good custom piece to add to your wardrobe this season. Try it, and I estimate by next season you will be adding as many pieces as you can afford. You will surely wonder how you ever managed without your custom wardrobe!

E-tailor at www.mycustomtailor.com

Made To Measure Shirt Style

Over the past half-century, the dress shirt has gone from being an garment to holding a prominent place in many outfits. This is one reason why it is today available in so many styles, colors, and patterns. Whether one's style is chinos or suit-and-tie, shirts are an essential means of expanding one's wardrobe.

A shirt's style signals quite a bit about the wearer's intentions. A dress shirt with a button-down collar, left breast pocket, plain front, and single-button cuffs signals leisure while a dress shirt with a turned-down point collar, no breast pocket, placket front, and French cuffs signals formality. The beauty of adjusting a shirt's style is that you can design it for not only for the occasion but also to compliment your unique features.

Shirt Collars:

The men's dress shirt collar is the most important style detail, both in determining the garment's level of formality and in how it flatters the wearer's face. Button-down collars are the least formal and extremely versatile; they look great without a tie but can just as well support a tie and sweater, blazer, or sport coat combination. The wing collar, on the other hand, is reserved for formal wear and should always be worn with its companion parts. It is the least versatile collar, whose sole purpose is to signal the highest level of dress.

Most men's dress shirts sport some sort of pointed collar, but there is huge room for variety here. While the standard point collar looks good on most men, those with narrower faces do better with slightly shorter ones, while round faces carry well above long collar points. As a general rule, the greater the angle between the short sides of the collar points, the more formal the presentation. Spread collars, which leave a wide opening between them, take large tie knots especially well. The edges of the cut-away collar nearly form a straight line above the tie knot; this is the most formal collar arrangement. An exception to the parallelism of spread and formality is the tab collar: here little tabs of fabric extending from each side connect behind the tie knot, holding the collar close together and projecting the knot outward for a precise, no-nonsense look. The white contrast collar, in any style, with or without matching white French cuffs, is a favorite of power-dressers. While it certainly raises a suit-and-tie above the masses, let the wearer be warned against it if he cannot equal its eminence.

On most decent dress shirts, the collar's points are kept straight by collar stays. These 2- to 3-inch pointed splints are inserted into slots on the underside of the collar after ironing, and later removed for washing. Besides the plastic ones that come with most shirts, you can buy them in brass, silver, and even ivory, but their material has negligible effect on their function.


Shirt Cuffs:

Barrel cuffs, standard on most dress shirts, come in a variety of styles and except for the most formal of occasions are never a bad choice. The common variety has a single button; cuffs with two or even three buttons are somewhat more artful. French cuffs are de rigeur for formal wear; they look good with a suit but are always optional. A button in the sleeve placket helps the sleeve to stay closed during wear and can be opened to iron the cuffs; it is optional but nearly ubiquitous.

Shirt Pockets:

The traditional left breast pocket adds a little depth to a dress shirt, especially if worn without jacket and tie, and can be useful for holding pens, tickets, and the like. A shirt with no pockets can look slightly cleaner with a coat and tie, but since the coat covers the pocket the difference is minimal when wearing a suit. As with most things, simplicity equals formality, so the pocket-less shirt is the dressiest.

Shirt Front & The Placket:

The standard placket is a strip of fabric raised off the men's dress shirt front with stitches down each side; this is what most casual shirts and many dress shirts have. In the more modern French placket, the edge of the shirt front is folded over, creased, and held together only by the button holes. This cleaner front sharpens more formal dress shirts; it should not, however, be combined with a button-down collar. There are also hidden button plackets, and as the name suggests hide the front buttons under a sheath of fabric.

Shirt Back:

Men's backs are not flat; thus we use pleats on the back panel of a shirt so that the fabric may hang from the yoke (the piece covering the shoulder blades) and better conform to the body. There are two common varieties of pleated shirt back styles: the box pleat consists of two pleats spaced one-and-a-half inches apart at the center, while side pleats lie halfway between each edge and the center of the back. While the former are more common on ready-to-wear shirts, the latter better align with the actual shape of the back, and thus fit most men better. A well-made custom shirt can be cut and sewn to fit its wearer perfectly without pleats, and this makes it cleaner and easier to iron. Nonetheless, many men prefer to have pleats even on their bespoke dress shirts.

Monograms:

A man may elect to have his shirt monogrammed, usually on the edge of the breast pocket or on the shirt's cuff. Monogramming originated as a way to identify one's shirts in a commercial laundry, akin to writing a child's name on the tag of their jacket. More recently, as the shirt has taken a more prominent role in men's dress, the monogram has emerged as a way to subtly communicate the care a man has taken in obtaining his clothes. While large, garish monograms certainly do more harm than good, many men enjoy the quiet display of their initials, usually in a color similar to the shirt's own.

E-tailor at www.mycustomtailor.com

The History of Tailoring : An Overview

The knowledge and art of tailoring, of cutting and sewing cloth -- the two basic aspects of constructing clothes from a pattern -- developed slowly and gradually in Europe between the twelfth and fourteenth centuries. The Oxford English Dictionary's first reference to the word "tailor" gives the specific date of 1297; and certainty by that date tailoring guilds, as well as those of weavers, and cloth merchants were well established in Europe.

During the Middle Ages clothing had been regarded as a means of concealing the body. But with the Renaissance came the accentuation of the human form. The loose robe, that standard uniform of the medieval period so easily constructed from a single piece or two of cloth, was shortened and tightened, and eventually cut, pieced, and sewn together in attempts to bring into prominence the contours of the human form. This was the birth of tailoring and, in fact, of fashion.

These attempts at re-constructing the human body in fabric called for a growing expert skill and division of labor. Soon the cutter (the one who makes the pattern) and tailor (the one who does the sewing) joined other craftsmen as important members of the community.

Until this time the cloth had been the distinguishing feature of garments, and the wearer took most of the responsibility for the design ~ and, in most cases, the actual production ~ of his own clothes. But little by little, the tailor took on equal importance with the weaver, and gradually came to overshadow him. Master tailors in the growing towns eventually became responsible for the clothing needs of society, and the art and science of tailoring became a highly specialized, complex, and jealously guarded craft.

As towns became cities, then city states, and finally empires of power, fashion followed. First Italy, then Spain and France became the center for fashionable dress in concert with the power, wealth, and influence of those empires. Italy reached its great flowering during the age of Michaelangelo, followed by Spain early in the 17th century. France reached its fashionable peak for tailoring during the long reign of Louis XIV (1643 - 1715), when foppish young men from all over Europe flocked to Paris for their wardrobes. Almost every comic play written in the second half of the 17th century includes the character of a Paris-dressed fop, perfumed and beribboned, with powdered wig and silver-buckled shoe in the latest French mode. But by the time of the French king's death in 1715, there had already begun a shift in power, and influence -- and fashion.

Even during Louis' long lifetime a great shift in masculine costume was occurring. In the middle of the 17th century men began to give up the doublet, hose, and cloak that had been the staple items of their wardrobe since the 1500s, and began to wear coat, vest, and breeches, the three components we can begin to identify as modern dress.

Across the Channel, the English had not only turned away from the doublet and hose, but quickly moved through the phase of embroidered ostentation decreed by the French court. They had just survived a bitter but democratizing civil war (l642 - 1649) which, among other things, called into question the brocades and velvets, the silk and pastel satins and powdered wigs and other ostentations of aristocratic French court dress. Over two centuries later, Oscar Wilde would quip that the Puritans and Cavaliers who fought that war were more interesting for their costumes than their moral convictions.

The English moved away from the highly decorative and delicate court style, and took up a more practical form. The costume of both the landed gentry and the newer mercantile class became progressively less gorgeous and exquisite during the 18th century, and far more somber and sober. By the early decades of the 19th century, sobriety (in dress at any rate) had begun to penetrate even the court circle itself, and kings, consorts, and princes were seen to dress in a manner almost identical with their subjects. By mid-century the age of stovepipe hats, umbrellas, and frock coats -- each in glossy black -- was firmly in place.


English tailors, particularly those in London, now came to dominate the fashion scene. First, the English had evolved a style for masculine clothing that was a subtle blending of landed gentry, sporting attire, and bourgeois business wear produced in the tremendous wake of the Industrial Revolution. Secondly, aristocratic court clothing had not been constructed so much with a concern for fit as it had with concerns for decoration, fabric, and color. But when the shift away from ornamentation and ostentation began to occur, fit became the criterion of dress for men. We take it for granted today, but the idea of "fit" as a criterion for men's clothes is a fairly recent one. It is an idea calling for great skill in execution.

The English tailor was trained to use woolen cloth, and over years of experimentation and practice he developed techniques for "molding" the cloth close to the body without exactly duplicating the true form of the wearer. In short, the tailor could now actually develop a new aesthetic of dress: he could mimic the real body, while at the same time "improving" and idealizing it! It was no longer a question of voluminous yards of flowing silken brocade. Men became "gentlemen" (itself a 19th century term) and frowned upon gaudy display in favor of discretion, simplicity, and the perfection of cut. It was, in terms of fashion, the culmination of that radical turn taken in mid-17th century: the Modern had finally arrived! And the Modern was the tailor's art.

There have been tremendous innovations in these past hundred years in fashion and the art of tailoring: sewing machines now do the work on straight seams better than could be done by hand; new fabric technology has history produced more comfortable cloths; fashions have adapted to more leisurely, climate-controlled lifestyles. But tailoring is still, and likely to remain so, an art. It has not been brought down to the level of a science. The tailor still believes in making personalized clothing, statements of fashion for the individual, as he always has done.

Even since the invention of ready-made, cheaply-produced clothes in the middle of the last century, the demise of the tailor has been predicted. Like the panda and the whooping crane, it has been said, the march of modern life is against him. Mega-international corporations seem to own everything, calculatedly obsolete gimmickry)· abounds, and Coca-Cola now sells clothing as well as soft drinks by the millions of units. But craftsmen have indeed managed to survive in this age of the mass-produced and quickly thrown away, even to prosper. There is still a clear need for the uniquely personal and individual in our lives. In this age of the shoddy and the quick, the vulgar and the mass-consumed, tailors can still be counted on to champion uniqueness and quality. It is the hallmark of their tradition.

Today, skilled tailors can be found in Rome as well as Richmond, VA, Paris and Pittsburgh, Hong Kong, Kansas City, Rio and Dallas -- as well of course as Milan, London, and New York They are the fitters and pattern drafters, the stitchers of the handmade buttonholes, the cutters of the fine worsted and cashmere and heathery tweed. And they are all standing in the long shadow of tradition and craftsmanship that is the art of tailoring.

E-tailor at www.mycustomtailor.com

Dress Smart For Women

Geography isn’t as important as it once was in determining how dress. As the world population is exposed to more and
more of the same influences, tastes, inevitably, have become more global, less local. So, when traveling for business,basic professional attire is appropriate just about anywhere like a tourist it is helpful to understand the tendencies in different parts of the United States and the world. You should be able to remix items from your existing wardrobe to suit any destination.

MIDWEST - CHICAGO AND DETROIT

Cities like Chicago and Detroit are more cosmopolitan than other parts of the Midwest, and women dress up for work in.

Suits. In Minneapolis and other women are comfortable with a more workday, casual look, wearing Khakis and Sweater sets.

Evening: A lot of entertaining is corporate in the Midwest. Black-tie fund raising events take place quite often in these cities. Women wear Cocktail Dresses or Pant Suits to black-tie events in dressy fabrics like velvet and satin.

Accessories are dressy and unique. Preferred colors for formal dress in the Midwest are black, deep browns, midnight,navies, and dark purples.

NORTHEAST - BOSTON

Boston is an intellectual city, which gives rise to individualism and trend-setting. However, there is a division between suburban and urban women in terms of fashion. The suburban women are slightly more conservative and wear brighter
colors and lower hemlines. The city woman prefers trendier fashions in more subdued colors and with higher hemlines.

Evening: Urban and suburban women prefer the little Black Evening Dress but personalize it with a Jacket. Because of the cobblestone streets and the periodically inclement weather, women most often wear low heels.

NORTHEAST - NEW YORK

New York City is considered the fashion hub of the country, and Business Women are fashion-conscious and impeccably groomed, yet iconoclastic. Colors are urban standard: black, charcoal, chocolate, beige, with, and splashes of color. Pedicures, manicures, a well-maintained hairstyle and color, and groomed eyebrows are essentials.

Well - Tailored Suits are standard in most industries.

Evening: For most formal parties, Long Dresses with quality accessories will do nicely: the old-money society set dresses simply and elegantly for black-tie charity functions; glitterati-literati openings and events, women dress dramatically and not necessarily in a traditionally formal manner. The newest, cutting-edge designs are popular. Many New York women own a little black dress, which can be worn to a variety of events simply by adding or subtracting accessories. They often mix separates, which contributes to enormous personal style, a hallmark of New York dressing. Suburban New Yorkers are much more relaxed and colorful.

NORTHEAST - WASHINGTON, DC
The Suit is a key in DC and traditionally a realm where women can shine and pull focus through color, though more and more are being. The no-nonsense suit is worn after dark, dressed up with a scarf or pin. A lot of women in DC tend to avoid making over fashion statements and generally frown upon seductive dressing, preferring that their political views, power, and influence make their statement.

Evening: Entertaining in Washington often takes place in the home. Politics is the talk read the newspapers, magazines, and listens to the news on TV and radio to keep up.

PACIFIC NORTHWEST- SEATTLE

Women are more concerned with being comfortable than with being on the cutting edge of fashion. Working women tend to dress business casual, wearing pants, blouses, and sweaters and only resorting. Accessories are where women indulge in being fashionable.

Evening: For formal occasions, women tend to wear a classic dress (hem to the keen; not a cocktail suit)in black or jewel tones.

THE ROCKIES - DENVER

Dressing for work in the Rockies is business casual: Pants or khakis with a blouse, sweater, or crisp white a blouse, sweater, or crisp white shirt. Color and accessories like belts and earrings is a key.


Evening: There are more charity functions per capital in Denver than in any other city in the country, providing many occasions for formal dress.
Women’s evening wear is understated and elegant. The little black cocktail dress predominates, but women will wear ankle-length gowns for very grand events. Many events in Denver call for “Creative Western Elegance.” Women
typically wear broomstick skirts and matching Western jackets with nickel or silver conch buttons.

SOUTHEAST - ATLANTA

Atlanta is a casual city, but the city’s booming business sector has attracted people from around the world, and the professional dress code is fast becoming that of a larger metropolis.
Women wear conservative suits or business appropriate skirts or pants and blouses, with mid-height heels. Black is not a popular choice in this vibrant city. On the popular are prevalent colors among women. Society women wear khakis, the “great white shirt”

Evening: Women are practical but not prissy. Style is always ladylike, which is the most important dressing guideline for women. Tailored feminine elegance is admired more than trendy extremes; women prefer clothing that can be worn
both to the office and to symphony.

SOUTHWEST - HOUSTON

Texas women have a well-deserved reputation for being the most dressed, if not the best dressed, in the nation.
Career women wear Skirt or Pant Suits in bright color with Feminine Blouses. It is not unusual for women in Houston or Dallas to change clothes three times a day exercise clothes, business attire, evening wear. Heat, humidity, bitter
cold, and the chill of air-conditioning have a lot to do with this.

Evening: Unlike in many other cities, career women almost always change clothes for the evening, whether it is a cocktail suit, dress, or formal wear. If a woman has good jewelry stones one might refer to as “jewelry” rather than
jewelry she wants clothes the show these off.

TROPICAL - MIAMI

Business wear has been influenced by the influx of South and Central Americans conducting business in this region.
Clothing is more feminine than in other cities, with shorter hemlines and higher heels. Business attire has a light,tropical feel, with suits tending toward light neutrals and dresses more prevalent than they are in other cities.


TROPICAL - PALM BEACH

Thought they, re geographically close, Miami and Palm Beach are worlds apart. Palm Beach sports an old-school, old-money look. Business attire in the two cities is similar.

WEST COAST - LOS Angeles

Business dressing is divided into three categories in Los Angeles, and all of them revolve around, or take their clues from, Hollywood:

1.The execs-the people who work in the offices and make decisions about money wear dark suits, whether they are men or women. LA is less designer label-conscious than a city like New York.
2.The creative execs-agent, PR executives, and producers all fall into this category-dress corporate creative, which means trendy, hip clothes that have professional polish: From-fitting pants with a crisp white shirt or dress with boots.
3. The talent-anyone from an actress to a director dress extremely casual, while still being responsive to the season’s new trends.

Evening: Aside from red carpet events, LA occasions rarely call for formal attire. One might wear Pants and a Top,possibly a Jacket, unless it was an opening night, and then a Pant Suit in silk or linen. At a museum party or slightly formal affair, a cocktail dress will be worn, and more Pantsuits in silk or linen. At movie premieres, the stars wear Short Dresses or Pantsuits, always designer wear, sometimes mixed with vintage clothes.

WEST COAST

Women are sophisticated, formal, and European in style. Weather is variable
September and October are the warmest months and demands a season less wardrobe. Light wool crepes and season less silks are favored; there is little need for heavy winter overcoats or clothing for steamy climates.

We Remain with Best Regards,
E-tailor at www.mycustomtailor.com

Dressing For Success

DRESSING FOR YOUR NEXT POSITION

Power dressing means looking ahead, knowing the path you want to take, and preparing yourself for it in every way. You wouldn’t expect to be hired for a job and then acquire the skills necessary to do it. The same is true for your look: The higher you rise, the more subtle the cues. No one is going to run the risk of “We’ll see if he’s up to it or ends up looking the part.” You have to look and act your future now. Dress for tomorrow. Act as though you’ve already reached your goals and you’re halfway there.
HOW TO LOOK MORE

Professional : Wear a suit. If you already wear a suit, upgrade your suit-better fabric, better tailoring Choose details that instantly signal polish and decorum, such as sleek high heels, a crisp, collared shirt, or pearls. Other symbols of corporate credibility:
Dark colors and immaculate grooming, and anything that suggests utter organization,

Responsible/Reliable: Make sure every detail is attended to.
Have a great haircut. Get a manicure. Organize the elements in your handbag. Have your shoes polished.

Management-worthy : Good management is a balance between approachability and authority. Cultivate a refined mix of the two styles by giving a laid-back look a single splash of authority. For a softer corporate look., wear a suede jacket with a pencil skirt and high heels. Or choose a relaxed beige suit-khakis with a sleek suit jacket.

Independent : Take a risk. Deviate from the norm. If your colleagues are stuck in a middle-of-the-road business appropriate rut, wear a suit. Wear it with a colorful blouse. If you’re surrounded by suits, wear your with a denim shirt. Or red stilettos. If you wear glasses, choose frames that express your style. If you don’t wear glasses, consider getting a pair as a fashion statement.

Open : Unbutton your shirt collar a little.Don’t lacquer every hair in place with spray. Try a sweater set in place of a suit jacket.
Every once meaning or a pair of feminine sling backs.

Creative : Express a little personal style. Wear a scarf in your hair. Test drive the latest trendy shoes. Try the season’s key-lime green, gypsy purple. Wear a necklace, bracelet, or earrings that you love. Tamper with the corporate dress code.

Authoritative : Upgrade your suits. Upgrade your shoes, your handbag, and your coat-fine fabric and expert handwork indicate serious business. Wear details that signal power and command, such as pinstripes or the color red. Invest in a high-quality, signature accessory, like a Hermes scarf or a designer handbag.


We Remain with Best Regards,
E-tailor at www.mycustomtailor.com